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About Me

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Tucson, Arizona, United States
I work as Panther Peak Bindery and am a bookbinder, conservator and instructor working outside Tucson, Arizona for individual and institutional clients across the country. I am a two term President of the Guild of Book Workers, was a Fulbright Scholar, taught at North Bennet Street School for over nine years and was the fastest in my middle school class at running up and down a flight of stairs (really!).

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Showing posts with label Tucson Festival of Books. Show all posts
Showing posts with label Tucson Festival of Books. Show all posts

Sunday, March 11, 2012

Book festival aftermath

Led Zeppelin.  I survived because of Led Zeppelin.

In 1977 I saw Zeppelin at the Kingdome.  Back in those days all concerts were "festival seating" meaning no assigned seats.  Clearly this was before The Who and Cincinnati.  The Kingdome was a huge concrete dome and the sound was going to horrible, the only hope was to be down front.  So I got there in the morning of the show and waited all day for them to let us in.

The point here is that when I got there everyone was having a great time.  I got my spot in line and sat down. When the line moved I went with them and sat down. When they let us in I ran down on the field and as close to the front as I could, and sat down.  By the time the concert started I was probably 30 yards from the stage.  And folks were dropping like flies from having been standing for over 12 hours.  A few songs in I was ten yards from the stage.

This scan shows the stub, just to prove I'm not lying here:




I should mention that it was so loud that I couldn't discern what songs they were playing until half an hour in when I think my ears got so numb that I could figure out what they were.  Still it was fun and I have great memories of that show.

The point is that I learned success is dependent on sitting as much as you can, I think in every aspect of life.  Unless you're a marathoner, then that might be difficult.  Maybe I need to revise the lesson.  Anyway, I did sit as much as I could this weekend and it was a good thing.

Here is a shot of the festival from the Arizona Daily Star:




They estimate that over 100,000 people attended.  I had the same booth I had last year and had a great time.  I pushed classes and repairs, and got a good response to both of them.  The strange thing is that I really won't know how successful it was until a few months.

I also had some stuff I made around Christmas when I got curious about how many jigs I could use and how I could organize the work more effectively.  More an exercise than anything else.  Still I sold several things, which was a bonus.

Here is a shot of the booth.  The weather was mid-70s each day.  Perfect.




In this picture are our friends Jim and Lynne Owens, owners of Thorn Books. They're pretending to be customers.  I'm pretending to help them.  Hopefully a casting director will read this blog and hire me for blockbuster movie role.  Notice how into character I am here, my "essence" is just pouring out of my pores, but not in an artificial or contrived way.  Just like Lawrence Olivier, John Gielgud or the guy who played Greg Brady on the television show.

Diane came by to bring me lunch, which was a nice improvement over last year.  I think you can see the difference between Diane and myself, she's playing a role where I fully inhabit a character. Can you see it?




A few folks brought damaged books by, which is always pretty fun.  But mainly it was a chance to talk about to people about books, which is always fun.

It was pretty smashed on Saturday, but slower on Sunday - especially Sunday morning.  Still, even though there were less people on Sunday, I ended up talking to about the same amount of people both days.  Gave out lots of brochures, cards and class schedules.  Really had a nice time.

It did occur to me that I should keep records during this, like count how many of each thing I handed out just to gauge interest from year to year.  I do think I gave out many more than last year, but have no statistical proof of that.  Doesn't matter on some level, but I'm kind of curious.  And I like statistics.  But the only stat that matters is how many people follow up.  





Friday, March 9, 2012

Festival of Books

This weekend I'm going to be at the Festival of Books here in Tucson.  It's the fourth year of the Festival and I heard that it has become the third or fourth largest gathering of its type in the country.  They expect around 100,000 people.


I did it last year and it was really fun.  It's always nice to talk to people who are interested in what I do.  Last year was the first time I did it and so I had no idea what to expect, what people would be interested in, how many people I'd actually talk to.  As a result I used one table where I set up examples of repairs (because most people have no idea what a good book repair is) and brought some models of historic bindings.

One thing I find fascinating about books is how few people understand how they are made, or how they are intended to function.  I truly believe that most people know more about how their car works, how the internal combustion engine works, than they know how their books function.  I suppose I believe that because it explains why the public is to willing to buy incredibly poorly made books just because the cover is pretty, or because they like the content.   Commercial bindings have become the Yugos of manufacturing, and that's a sad, sad thing.

But, with all these things, I think it creates a renaissance of hand made, quality books that a segment of the public appreciates and understands.  I think most people would understand if it could be explained to them.  Still, it's sad that the Kindles of the world are replacing awful bindings, instead of replacing well made bindings.  It just doesn't feel like a fair fight.

A book from 1508 I repaired.


So that's what I try to do at the Festival.  Show people how books were made, and how they should be made today.  I'm avoiding my rant here about how books can be sewn by machine for less than a penny per section and less than a second per section. That means that the typical book could be manufactured in a sewn binding for less than 25 cents per book.  (See how restrained I am about this, by not putting that last sentence in italics and underlining it?)  Of course a sewn book on good paper will last centuries. Centuries.

A sewn book.

When I was at Washington students would come in with engineering textbooks which had fallen apart in a few weeks because they were glued bindings.  For which they had paid over 75 dollars!  Irony, eh?  They obviously replaced them, but not doubt it just happened again.  If they're going to produce crap then why not give up and run to the Nook?  After all it feels like publishers (at least the large ones) aren't really producing books any more, they are just producing widgets that have the appearance of books.


The book in the picture just above was less than a month old and broke.  Why?  Because the people manufacturing the book had no idea how to make a book of that weight and heft strong enough to last longer than that.  It was just a widget to them.

I spent the past two days getting my things together.  It felt like packing for a trip where you just want to get on the plane because then there isn't anything more that can be done.  It'll be nice to get set up on Saturday morning.  I'll have some historical models, some new stuff to sell and information on upcoming classes.

Should be beautiful weather.  And thousands of nice, book loving people.  Now I just need to show them the exciting world of binding.  And not rant too much.

I'm at booth 110, the same as last year.  Stop by if you're there and say hi.