A clever method of using a Kensol or Kwikprint

A guy took a class from me a year or so ago, not that long after I acquired the Kensol.  He had used a Kensol in his job and showed me a clever way of aligning stamping on covers of book. It works equally well with a Kwikprint.  These pictures were taking using this method on the Kwikprint.

First you finish the cover on which you want to stamp and measure its thickness using a caliper.

Next you select a board (or lamination of boards) to equal the thickness of the cover.

Once you have that figured out, and it needs to be almost exactly the same thickness for this to work, you cut the non-covered piece so it's about the same size as the cover.

Now you put the board in the stamping machine (again, it works equally well for the Kwikprint and the Kensol) and tape a piece of mylar along the edge of the table.

Put the die or title in the machine and stamp it onto the mylar.

You'll end up with this.

One the cover you are stamping place a paper image of the die, or a line of paper or tape if you are doing a title (or really anything will work if it shows where on the cover you want the stamping to end up).

I'm using this example because the image on the die isn't in the proper orientation to the cover, which makes this a better example.  The image in the circle is upright (as shown on the mylar) but I want it to be slanted somewhat to the right.

To compensate for the alignment of the image on the die block I neeed to twist the cover until the mylar was seated directly over the paper image.  When it was I clamped the cover onto the table.

When it's all lined up and the book is clamped in position remove the mylar and stamp the cover.

It's a great technique and may be very well known but I had never seen it.  It's really fun to learn stuff like this from students.

Happy stamping.




Related posts on using the Kensol and Kwikprint can be found here:

Title stamping with a Kensol

Kensol vs. Kwikprint

Civil War diaries

On some level I don’t really think what I do is about books and paper.

To me it’s really about history and culture and people. I’m repairing books, of course, but they’re just the object that gets to the real point. 

And that is what I find exciting, fun, and challenging. How to keep a story alive for another 150 years or more.  How to better preserve a family history to show family members in the future what their great-great-grandmother was like. How did she live? What did she enjoy? Who was she? Look through an old family cookbook and you’ll find answers to all those questions.

In honor of the 4th I wanted to share this project:

Some time ago a gentlemen brought in two Civil War diaries. They were from the same soldier. The story is that the soldier kept up two diaries because he didn’t think he was going to survive the war. He could send home the larger sheets as he finished them and kept the smaller one in his pack. He assumed he would be killed and the smaller one would be lost.

I can’t imagine.

The smaller one no longer had a cover. Or end sheets. So there was no way to know what the original binding was, or how it looked. They came like this:

The first thing I did was to repair all the pages in the smaller diary and then sewed it back together. For the covering material I used airplane linen. I liked the look of linen as a cover for this and thought it fit the spirit of the book.

In the end it became a book again. The advantage of a binding, versus loose pages, is that it protects the pages of the book by covering them because it is easier to leaf through pages when they are bound versus when they are a pile of loose sheets.

For the larger diary I encapsulated the pages in mylar. Well, not really mylar because mylar doesn’t exist any more but let’s just call it that because I’m getting older and it’s a hard habit to let go of.  

The pages are not laminated! Lamination involves attaching the pages to a plastic. It certainly protects the item you are laminating but it also destroys it at the same time because it can be extremely difficult to remove the lamination. 

The work I do is all about reversibility! In a few hundred years, someone should be able to take apart a book I’ve repaired without causing any harm to it. This goal is not totally attainable, of course, but I think we get pretty close.

These pages are floating between two sheets of an inert polyester using a 3M double sided tape. No tape is touching the pages and they can be removed from their housings in seconds.

In the end I made a box to hold both items. The rebound, smaller diary went into an opening in the box, which left a shelf for the larger pages.

The box was a drop spine box. Sadly I don’t think customers really appreciate how important a drop spine box can be in preserving books and papers. When I offer it I get the sense that some think I’ve turned into a used car salesman, which is unfortunate. Or sad. The are many, many stories of items in these boxes being protected during fires or water incidents, let alone the general protection from sunlight, dust, and other nefarious things waiting to descend on books and papers.

Maybe if I could create a meme it would help with the acceptance and advancement of drop spine boxes among the general populace. But I’m not really sure what a meme is, so that’s a bit of a sticking point with that idea.

I tell folks that every book they care about should be in a box. And I believe it. I’m grateful that I’ve taught enough classes in drop spine boxes that I’m pretty much there myself. Otherwise I’m afraid it’d be like the cobbler’s kids having no shoes.

It’s a privilege and a thrill to work on objects like these. I wrote a post earlier that said that I feel like I’m working for the grandchildren of my clients rather than the clients themselves, which helps me make better decisions.

But in this case I think I’m working for the soldier who wrote these, who was the great grandfather of my client. I’m sure he would be happy to see his record preserved.

Happy 4th of July.